Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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James Abbott McNeil Whistler
Rose and Silver La Princesse du Pays de la Porcelaine (mk09)

ID: 21594

James Abbott McNeil Whistler Rose and Silver La Princesse du Pays de la Porcelaine (mk09)
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James Abbott McNeil Whistler Rose and Silver La Princesse du Pays de la Porcelaine (mk09)


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James Abbott McNeil Whistler

1834-1903 James Abbott McNeill Whistler Art Locations   Related Paintings of James Abbott McNeil Whistler :. | Robert,Comte de montesquiouiou-Fezensac | Arrangement in Gray | Arrangement in Brown and Black | Mrs.Frederick R.Leyland | Nocturne in Blue and Silver:The Lagoon Venice |
Related Artists:
STANZIONE, Massimo
Italian Baroque Era Painter, 1585-1656 Italian painter. Primarily a painter of altarpieces and frescoes, his large production and vast following of students and imitators made him perhaps the leading Neapolitan painter in the first half of the 17th century. He was known as the great rival of Jusepe de Ribera, and for most of the 1630s and 1640s he and Ribera dominated painting in Naples. Stanzione's rich colour and idealized naturalism, for which he was called 'il Guido Reni napoletano', definitively influenced numerous local artists and remained discernible in the earliest works (1670s) of Francesco Solimena. Only a few portraits and mythological paintings by Stanzione are known,
BERCKHEYDE, Gerrit Adriaensz.
Dutch Baroque Era Painter, 1638-1698 Brother of Job Berckheyde. Gerrit specialized in a particular type of architectural subject, the TOWNSCAPE. His painted work shows a debt not only to Pieter Saenredam's conception of the building portrait but also to Saenredam's refined draughtsmanship and dispassionate attitude; these qualities mark Berckheyde as a classicist and akin to Vermeer. Berckheyde favoured views of monuments on large open squares, a choice that distinguishes him from the other great Dutch townscape painter, Jan van der Heyden, who preferred views along canals in which clarity was sacrificed for pictorial effect.
Heronymus Bosch
Bois-le-Duc ca 1450-1516






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